About

- This column maps new perspectives and explore a new land of the future, in which diversity, the history of gender and gender fluidity are a matter of course. My aim is to shed light on issues that have been hidden away in history, and outline gender issues in art history using cases from exhibitions, new foundations, films, libraries and publications. I will also discuss the political backbone and virtues of our times in relation to the political and institutional practices of contemporary art and, in a broader context, anything that makes my heart miss a beat.